Home
/
API 527A Compressor/Limiter
API 527A Compressor/Limiter
Quantity
-
DetailThe API 527A Compressor/Limiter takes its place alongside the family of API VCA based compressors, including the 225L compressor and 529, 2500 and 2500+ stereo bus compressors. Anyone familiar with these units will immediately be at home with the 527A.Features common to the line include "feed forward" (new) and "feed-back" (old) gain reduction methods selectable on the front panel, provide a choice of "that old way" or "the new way" of compression, for the highest level of flexibility in signal gain control. The "old way" or feed-back method is what most of the classic compressors used for the gain control circuit. The "new way" gain reduction is more typical of the newer VCA type compressors that rely on RMS detectors for the gain control voltage.There is a "Soft"/"Hard" knee switch for an "over-easy" type compression resulting in a very natural, uncompressed sound or a typical sharp knee type that lends itself to a much more severe limiting effect.The patented Thrust function can be switched in and out via the front panel as well, applying a filter before the RMS detector circuit that preserves that punchy bottom end.Two or more 527A Compressor/Limiters can be linked together via a DC link allowing multiple units to be combined for stereo and multichannel applications.The output level remains fairly constant regardless of the threshold or ratio control, much like the "more/less" Ceiling control on the API 525 Compressor. This allows for live adjustments without any noticeable gain changes in the program level.The 527A Compressor/Limiter makes use of the 2510 and 2520 discrete op-amps and exhibits the reliability, long life, and signature sound which are characteristic of API products.
-
Customer ReviewsNo comments
Fender
Gibson
Taylor
Martin
lbanez
Epiphone
PRS
Schecter Guitar Research
Fender Stratocaster
Fender Telecaster
Gibson Les Paul
Gibson SG
lbanez RG
Taylor American Dream
Taylor GS Mini
Martin GPC
lbanez
Fender
Squier
Ernie Ball Music Man
Sterling by Music Man
Rickenbacker
Sire
Schecter Guitar Research
Fender Precision Bass
Fender Jazz Bass
Fender Mustang
lbanez SR
Strandberg Boden
Yamaha TRBX
Yamaha BB
Schecter Stiletto
Fender
Marshall
Orange Amplifiers
Markbass
Boss
Blackstar
Kemper
Vox
Line 6
Electro-Harmonix
MXR
Meris
Dunlop
EarthQuaker Devices
lbanez
TC Electronic
Alesis
Roland
Zildjian
DW
Simmons
Meinl
Remo
TAMA
Pearl
Vic Firth
Sound Percussion Labs
Evans
Sabian
Lp
Yamaha
Yamaha
Roland
Korg
Williams
Akai Professiona
Casio
Nord
Moog
Williams Legato
Yamaha Clavinova
Harbinger
Bose
JBL
Electro-Voice
Behringer
Yamaha
Mackie
JBL EON
Bose L1 Pro
QSC K Series
Yamaha Mixers
Harbinger VAR!
Focusrite
Universal Audio
Yamaha
PreSonus
Tascam
KRK
Rode
Focusrite Scarlett
Universal Audio Apollo
Shure
Sennheiser
AKG
Neumann
Rode
Sterling Audio
Audio-Technica
Warm Audio
AKG 414
Musician Geal
Fender
D'Addario
Ernie Ball
Elixir
Road Runner
Gator
Proline
Remo
Livewire
On-Stage
Hercules
Mogami
Dunlop
Perri's
Snark