Walrus Audio 385 Overdrive MKII Effects Pedal Yellow
Quantity
-
DetailThe 385 MKII Effects Pedal was inspired by the vintage Bell and Howell 385 Filmosound projector that guitarists had previously modified and used as an amp. Walrus Audio's 385 MKII is created with a dynamic and responsive overdrive with the same simple but effective tone control as it’s older relative. Unlike the projector, the 385 breaks up the single tone control and integrates separate, boost and cut bass and treble. This allows players to get more creative with mid-frequency scoops and bumps for a much wider array of tones to be achieved. The pedal is internally running at 18v, which helps players nail the same dynamic feel of the amp in a stomp box. Controls Bypass: Soft touch, relay true-bypass. Press the switch to engage/disengage the pedal. LED indicates wether the circuit is engaged or not. A/B: Soft touch switch. Press to swap between using either A (White) or B (Red) Volume and Gain controls. LED indicates which controls are being used - White for A, Red for B. Volume A: Controls the overall volume in the A setting. Turn clockwise for more volume, counter-clockwise for less volume. Gain A: Controls the overall gain in the A setting. Turn clockwise for more gain, counterclockwise for less gain. Volume B: Controls the overall volume in the B setting. Turn clockwise for more volume, counter-clockwise for less volume. Gain B: Controls the overall gain in the B setting. Turn clockwise for more gain, counterclockwise for less gain. Treble: Used to adjust the level of the treble frequencies. Turn clockwise to increase the level of the treble frequencies. Turn counter-clockwise to reduce the level of the treble frequencies. Bass: Used to adjust the level of the bass frequencies. Turn clockwise to increase the level of the bass frequencies. Turn counter-clockwise to reduce the level of the bass frequencies. 385+ Switch: When the switch is down, you are able to achieve classic 385 sounds. Flip the switch up to add an additional gain stage to the input of the pedal, achieving heavier gain sounds and driving the pedal harder.
-
Customer ReviewsNo comments
Fender
Gibson
Taylor
Martin
lbanez
Epiphone
PRS
Schecter Guitar Research
Fender Stratocaster
Fender Telecaster
Gibson Les Paul
Gibson SG
lbanez RG
Taylor American Dream
Taylor GS Mini
Martin GPC
lbanez
Fender
Squier
Ernie Ball Music Man
Sterling by Music Man
Rickenbacker
Sire
Schecter Guitar Research
Fender Precision Bass
Fender Jazz Bass
Fender Mustang
lbanez SR
Strandberg Boden
Yamaha TRBX
Yamaha BB
Schecter Stiletto
Fender
Marshall
Orange Amplifiers
Markbass
Boss
Blackstar
Kemper
Vox
Line 6
Electro-Harmonix
MXR
Meris
Dunlop
EarthQuaker Devices
lbanez
TC Electronic
Alesis
Roland
Zildjian
DW
Simmons
Meinl
Remo
TAMA
Pearl
Vic Firth
Sound Percussion Labs
Evans
Sabian
Lp
Yamaha
Yamaha
Roland
Korg
Williams
Akai Professiona
Casio
Nord
Moog
Williams Legato
Yamaha Clavinova
Harbinger
Bose
JBL
Electro-Voice
Behringer
Yamaha
Mackie
JBL EON
Bose L1 Pro
QSC K Series
Yamaha Mixers
Harbinger VAR!
Focusrite
Universal Audio
Yamaha
PreSonus
Tascam
KRK
Rode
Focusrite Scarlett
Universal Audio Apollo
Shure
Sennheiser
AKG
Neumann
Rode
Sterling Audio
Audio-Technica
Warm Audio
AKG 414
Musician Geal
Fender
D'Addario
Ernie Ball
Elixir
Road Runner
Gator
Proline
Remo
Livewire
On-Stage
Hercules
Mogami
Dunlop
Perri's
Snark