Home
/
Amps & Effects-Boutique Pedals
/
Death By Audio Absolute Destruction Overloading Power Amplifier Distortion Effects Pedal Gray
Death By Audio Absolute Destruction Overloading Power Amplifier Distortion Effects Pedal Gray
Quantity
-
DetailThe Death By Audio Absolute Destruction distortion effects pedal is engineered to show little-to-no respect for what instruments normally sound like, or even what people want them to sound like. It was designed to be pushed until it sounds totally unhinged. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. You can also push the Overload slider into blooming, octave nastiness. Push it further and starve the circuit until your signal eats itself. Push it to the maximum, and your sound will duck completely into the void before it returns, coming back to life with a relentless vengeance. Controls Master Volume: Controls the output volume of the effect. Overload: Sets the ceiling at which the pedal overloads. When turned all the way up, the pedal will not overload. As the control slides to the left it pulverizes the sound more rapidly. Gain: Sliding this control to the right increases gain and distortion. Horizontal sliders have been recessed to protect them from bending or any accidental movement while playing. Harnesses a power amplifier IC to generate its insane sound. Its Gain and Overload sliders interact to create a wide range of unique sounds in various positions. You choose, to your liking, how much to absolutely destroy your sound. The further the Overload control is set to the left, the faster the effect slips into absolute destruction. Blow it out even harder and faster by slamming Gain and Overload opposite one another. Lower one or the other for smoother attack and release. Screaming octaves, thick fuzz, and the sound of your guitar reaching back from the depths of destruction are at your fingertips. Think of it as a psychotic compressor, or maybe more accurately the sound your amp would make if you set fire to it.
-
Customer ReviewsNo comments
Fender
Gibson
Taylor
Martin
lbanez
Epiphone
PRS
Schecter Guitar Research
Fender Stratocaster
Fender Telecaster
Gibson Les Paul
Gibson SG
lbanez RG
Taylor American Dream
Taylor GS Mini
Martin GPC
lbanez
Fender
Squier
Ernie Ball Music Man
Sterling by Music Man
Rickenbacker
Sire
Schecter Guitar Research
Fender Precision Bass
Fender Jazz Bass
Fender Mustang
lbanez SR
Strandberg Boden
Yamaha TRBX
Yamaha BB
Schecter Stiletto
Fender
Marshall
Orange Amplifiers
Markbass
Boss
Blackstar
Kemper
Vox
Line 6
Electro-Harmonix
MXR
Meris
Dunlop
EarthQuaker Devices
lbanez
TC Electronic
Alesis
Roland
Zildjian
DW
Simmons
Meinl
Remo
TAMA
Pearl
Vic Firth
Sound Percussion Labs
Evans
Sabian
Lp
Yamaha
Yamaha
Roland
Korg
Williams
Akai Professiona
Casio
Nord
Moog
Williams Legato
Yamaha Clavinova
Harbinger
Bose
JBL
Electro-Voice
Behringer
Yamaha
Mackie
JBL EON
Bose L1 Pro
QSC K Series
Yamaha Mixers
Harbinger VAR!
Focusrite
Universal Audio
Yamaha
PreSonus
Tascam
KRK
Rode
Focusrite Scarlett
Universal Audio Apollo
Shure
Sennheiser
AKG
Neumann
Rode
Sterling Audio
Audio-Technica
Warm Audio
AKG 414
Musician Geal
Fender
D'Addario
Ernie Ball
Elixir
Road Runner
Gator
Proline
Remo
Livewire
On-Stage
Hercules
Mogami
Dunlop
Perri's
Snark